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CHEN YUN-CHENG (Lucky) is a freelance strategist whose practice resists conventional classification. Following his studies under Service Design pioneer Prof. Dr. Michael Erlhoff, Lucky returned to Taiwan in 2015 to spearhead various initiatives that implement regenerative institutionalism, confronting the structural precarity of marginalized groups within post-extractive global societies. He has since dedicated himself to architecting community-driven ecosystems for performing artists, restoring subjective agency for Guishan Island’s displaced residents, and advancing Decentralized Identity frameworks in Taiwan.

His multifaceted practice as a curator/producer, democratic innovator, dramaturg, and researcher has garnered international awards and recognition from prestigious institutions, with collaborative projects touring major cultural hubs across Europe, North America, and Asia.

Currently, he is the Strategy Director of Les Petites Choses Production, Seabelongings, and Ground Zero Studio; the PI of the 2026 Art Commons Action at the New Taipei City Art Museum; and a contributor to g0v.

>> 2026 CV

陳運成(Lucky)曾旅居臺美德三地,他師承 Prof. Dr. Michael Erlhoff,是獨立接案的策略人。

2015 年回臺後,他以「再生性建制」開創多項前瞻實驗計畫,直面受壓迫群體在後剝削社會中的結構困境並與多方利害群體合作,包括與社會共創表演者的支持系統、協助龜山島社區推動轉型正義與主體能動性的重建、參與臺灣去中心化身份的推動等。他以策展製作人、設計師、審議工作者、戲劇構作、編輯、研究者、顧問等身份獲得國際知名獎項與專業機構認可,作品巡迴至法國、德國、英國、加拿大、希臘、西班牙、葡萄牙、日本、新加坡。

現為小事製作海波浪畸零地工作室策略總監,與 g0v 貢獻者。他曾共同創辦臺灣第一間結合創作者經紀的共同工作空間 planett(2015-2018)、發起臺灣首個表演藝術訂閱集資計畫〈週ㄧ學校〉(2018-2024),並擔任首屆與第五屆北美館日策展人、首屆新北市美術館〈藝術共感行動〉計畫主持人、連三屆TIFA特別計畫〈戰鬥果醬〉製作人、臺北社區工作智庫計畫主持人與維管顧問(2019-2025)、Web3分散式數位驗證與自治組織技術研發資訊服務委託案計畫協同主持人、European Digital Deal Summit 連續三天的專題引導師、歐盟 S+T+ARTS Prize 國際顧問(2024, 2025),並於 2026 年獲邀擔任林茲電子藝術獎 Digital Humanity 評審。

>> 2026 CV

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How might we re-institutionalize a non-profit dance group?

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How might we growth hack through rebranding PR activities?

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How might we redesign the flywheel of a non-profit art movement?

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How might we co-create a metaverse for performing arts contest?

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How might we embed deliberative activism in policy making workshop?

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How might we discuss the public nature of digital footprints through artivism?

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How might we re-architect trustless cultural currency that reclaim Guishan Island's sovereignty?

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How might we re-architect trustless cultural currency that reclaim Guishan Island's sovereignty?

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