European Digital Deal Summit

Year 2023

Period Annual

Location POSTcity, Linz (Austria)

Client Ars Electronica

Position Planner/Facilitator

Partner g0v da0, Frontier Foundation, National Culture and Arts Foundation

Team Martin Rauchbauer, Lewis Hou, Simon Delakorda, Lluc Bono Rosselló, Marta Peirano; Ars Electronica: Jovana Jankov, Ana Maria Carabelea, Magdalena Giegler

Photos Yun-Cheng Chen

European Digital Deal is a three-year investigation co-funded by Creative Europe into how the accelerated, yet at times unconsidered adoption of new technologies – such as artificial intelligence, machine learning, blockchain and algorithmic processing – can alter or undermine democratic processes.

This new kind of public forum is embedded in the annual Ars Electronica Festival, gathered facilitators and experts for a series of three-day workshops, focusing on the trust necessary for future technological societies and assisting in the formulation of themes for 12 residency projects. While the demands of work limited the exploration of the arts festival, it fostered my deep connections within the international industry community. Proud of the atmosphere and outcomes of our group’s discussions, I feel honored as the only invited member representing both the open-source decentralized community and Asia.

With consent from organizers and fellow groups, I infused activism and the spirit of plurality into the workshop agenda and props’ redesign, incorporating deconstructive, critical questions, and case references from Taiwan/Asia. During the event, experts from other groups approached me, expressing that our workshop design and overall state resonated closely with the forum’s objectives upon hearing our group experts’ participation narratives. I believe it illustrates the distinction between service and strategy design versus activity facilitation and to some extent showcases Taiwan’s experience on cocreating a resilient and decentralized civil society.

Challenge

Guiding a predominantly male, Eurocentric expert group through limited workshop time, addressing potential biases wisely such as assumed shared knowledge and homogenous perspectives.

Strategy

By initiating discussions from personal experiences and gradually layering conceptual depth, I carefully deconstruct multiple complex themes while co-create a safe space with the experts. Instead of directly employing specialized terminology, topics are approached progressively—from individual openness towards public data-sharing to broader implications in deliberative democracy, informed consent, and open-source cultures. Critically distancing from majority voting, the strategy actively cultivates empathy-driven, deep cooperation among diverse experts, reconnecting individuals with genuine dialogue and fostering authentic consensus beyond superficial agreements, thus addressing the democratic deficits inherent in conventional decision-making methods.

Impact

Following our group’s presentation, I engaged in fruitful discussions with several EDDS partner organization on-site, arranging two follow-up video calls and interviews. These sessions involved discussions with industry experts who have been involved in e-democracy nonprofit networks for over two decades, as well as the inaugural Austrian diplomat to Silicon Valley, exploring potential collaborations with Taiwan. The following year, I was invited by Ars Electronica two years in a roll to serve as an international advisor for the S+T+ARTS (Science, Technology, and Arts) Prize, bringing an Asian perspective to the forefront.

Overall, it gained me some reflections toward Taiwan’s experience on implementing deliberative democracy as well as tackling issues of geopolitical identity in the global tech societies, includes:

Taiwan has created highly skilled and cost-effective engineers, some turned their attention to build the civic tech and DX of public services bcuz many companies in TW make no room for their talents. This open playground somehow leads to a highly autonomous civic tech community.
Although algorithms homogenize same ideologies in cyber space, Taiwan's traits of small size with dense population, emphasis on interpersonal relationships, and diverse ethnic composition promote plural conversation. This creates a physical environment for digital democracy.
Due to Taiwan's marginalized political status, Taiwan's young democracy has made strides in digital democracy, driven by the strong desire of the younger and middle-aged generation for cross-regional and interconnected identities/agencies.
Owning to political conflicts, Taiwan aims to build a  more resilient civil communities while engage in non-traditional cooperation with global democratic alliances. Expectations are high for Taiwan's success in this endeavor.
Taiwan Ministry Of Digital Affairs’ use of procurement to include Dark Matter Labs, DAOs of Taiwan, da0 and their global web3 network, this open PPP model has gained it international attentions while accelerated the movement towards constructing a dDigital Public Infrastructure in and beyond TW.

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How might we embed deliberative activism in policy making workshop?
How might we embed deliberative activism in policy making workshop?

CHEN YUN-CHENG (Lucky) is a freelance strategist whose practice resists conventional classification. Following his studies under Service Design pioneer Prof. Dr. Michael Erlhoff, Lucky returned to Taiwan in 2015 to spearhead various initiatives that implement regenerative institutionalism, confronting the structural precarity of marginalized groups within post-extractive global societies. He has since dedicated himself to architecting community-driven ecosystems for performing artists, restoring subjective agency for Guishan Island’s displaced residents, and advancing Decentralized Identity frameworks in Taiwan.

His multifaceted practice as a curator/producer, democratic innovator, dramaturg, and researcher has garnered international awards and recognition from prestigious institutions, with collaborative projects touring major cultural hubs across Europe, North America, and Asia.

Currently, he is the Strategy Director of Les Petites Choses Production, Seabelongings, and Ground Zero Studio; the PI of the 2026 Art Commons Action at the New Taipei City Art Museum; and a contributor to g0v.

>> 2026 CV

陳運成(Lucky)曾旅居臺美德三地,他師承 Prof. Dr. Michael Erlhoff,是獨立接案的策略人。

2015 年回臺後,他以「再生性建制」開創多項前瞻實驗計畫,直面受壓迫群體在後剝削社會中的結構困境並與多方利害群體合作,包括與社會共創表演者的支持系統、協助龜山島社區推動轉型正義與主體能動性的重建、參與臺灣去中心化身份的推動等。他以策展製作人、設計師、審議工作者、戲劇構作、編輯、研究者、顧問等身份獲得國際知名獎項與專業機構認可,作品巡迴至法國、德國、英國、加拿大、希臘、西班牙、葡萄牙、日本、新加坡。

現為小事製作海波浪畸零地工作室策略總監,與 g0v 貢獻者。他曾共同創辦臺灣第一間結合創作者經紀的共同工作空間 planett(2015-2018)、發起臺灣首個表演藝術訂閱集資計畫〈週ㄧ學校〉(2018-2024),並擔任首屆與第五屆北美館日策展人、首屆新北市美術館〈藝術共感行動〉計畫主持人、連三屆TIFA特別計畫〈戰鬥果醬〉製作人、臺北社區工作智庫計畫主持人與維管顧問(2019-2025)、Web3分散式數位驗證與自治組織技術研發資訊服務委託案計畫協同主持人、European Digital Deal Summit 連續三天的專題引導師、歐盟 S+T+ARTS Prize 國際顧問(2024, 2025),並於 2026 年獲邀擔任林茲電子藝術獎 Digital Humanity 評審。

>> 2026 CV